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● PRODUCED BY DANNY
SERAPHINE
● Engineered and mixed by
HUMBERTO GATICA
● Dakota is:
JERRY G.
HLUDZIK & BILL KELLY,
with RICK MANWILLER
● Recorded in Los Angeles
at: THE LIGHTHOUSE, RECORD PLANT, LIONS SHARE STUDIO
● Mixed at: LIONS SHARE
STUDIO, LOS ANGELES
● Mastered at: PRECISION
LAQUER by STEPHEN MARCUSSEN
● 2nd Engineers: LAURA
LIVINGSTON, LARRY FERGUSON, AL SCHMITT, JR.
● Additional engineering: PAUL LANI, EDDY DeLENA, TERRY CHRISTIAN
● Pre-Production
engineering: BOB LUDWIG
● Production Assistant: BEAR
LEMONS
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● Rhythm arrangements: DANNY
SERAPHINE & DAKOTA
● Lead & Rhythm Guitars:
JERRY G. HLUDZIK, BILL KELLY
● Ac. piano, Fender-Rhodes
and main synthesizers: RICK MANWILLER
● Drums: DANNY SERAPHINE
● Bass Guitar: NEIL
STEUBENHAUS, BILL McHALE
● Additional guitars: CHRIS
PINNICK / RICHIE ZITO / PAUL JACKSON, JR.
● Additonal synthesizers:
MICHAEL BODDICKER / STEVE PORCARO / DAVID "HAWK" WOLINSKI
● Saxophone on "Over and
Over": ERNIE WATTS
● All Lead and Background
Vocals: JERRY G. HLUDZIK & BILL KELLY except on "Angry Men"-- with BILL CHAMPLIN
● The people who made this
project possible:
IRVING AZOFF
HOWARD KAUFMAN
EDUARDO FAYAD
PETER SCHIVARELLI
LARRY SOLTERS
● Very special thanks to:
Susan Kelly, Barbara Hludzik, Eli, Abby, Amber, Michael "Dad" Stahl, Bill
Stevenson, all the people at MCA, Teddy Seraphine, Bobby Lamm, David Skaff, Mike
Keating, Tom Cush, John Spagnoletti, Tony Romano, Dr. Dana Sutcliffe & the
Guitar Repair Company, Jerry Sisk and The Station Complex, DMR, Louie Morey,
Hawk Wolinski, John Robinson, Tracey Farless, Ralph Alan, Nina Avramides, PJ
Paxton, Max Kittel, Bill McCue, Paul LaBelle, and the BEST sound in the world --
Clair Bros. Audio
● Photography: JIM SHEA
● Retouching and Coloring:
BOB JACOBS
● Art Direction/Design: JEFF
ADAMOFF
DANNY SERAPHINE appears courtesy of Warner
Bros. Records
DAVID "HAWK" WOLINSKI appears courtesy of Warner Bros. Records
STEVE PORCARO appears courtesy of Columbia Records
ERNIE WATTS appears courtesy of Quest Records
● We
would like to dedicate this album to the memory of TOM JANS
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